Three sketches I made last night while listening to Adam Gorightly and Greg Bishop on Coast to Coast last night. Good program; Gorightly and Bishop discussed their new book, A is for Adamski, with host George Knapp.
I wanted to make sure I didn’t fall asleep while listening to the show so I stayed up and sketched. I didn’t think about what I’d draw, just let myself go where my subconscious took me.
The first sketch I call “My invisible dancing aliens.” Years ago I started a painting based on this same drawing but never finished it. This is a sketch of the little foyer in the house I grew up in in Los Angeles. There was a little window in the wall, as you see, a closet door on the left, and across from that, the front door. This is the house where I waited for my little alien friends to come and float me out the front door. I also have memories of dancing with these creatures. No faces on the beings — I don’t remember their faces, or much at all, except that they were. About my size, almost see through. Airy, fragile, friendly. Same ones who floated me out the door, into the large tree on the corner where I’d wait for … more. More beings, ships. . .
This is also the house where my mother saw a UFO hovering over the apartments across the street.
This next sketch is of my bed. I’m not in it. The aliens (or beings, or entities, or angels, or elementals, whatever it is one wants to call them) are not looking at me in the bed — not anymore. I’m gone to what ever place they took me to. They are looking up, away from my bed, to the skies, and pointing. I’ve noticed that in this sketch, and another I did of my bedroom and the aliens, some of the aliens are tall, and clothed.
The last drawing surprised me; it’s a version of my “patio alien” a creature I saw when I was about four. This was in another house in Los Angeles, on Corning Street, not too far from the house referred to above. I tried to capture the nasty nature of this thing but I don’t think it comes across. Although, I showed it to my husband who just shook his head (I didn’t tell him what it was.) I asked him if he was referring to my artwork or what; he said no, to “it.” “Not good,” he said. “That thing is not good.”
This thing was about four feet tall, all in silver and a hood or helmet, red glowing eyes — more like lights then eyeballs — and had a wand or gun type thing in its hand. When I saw it I first thought the thing was holding our hose, messing around with it for some reason. It saw me, was very very angry I was watching it, and pointed the “hose” at me. Turned out to me some kind of ray gun (as hokey as that sounds) at me. I was terrified.